The job I'm currently on requires me to put together A LOT of timelapses using Adobe After Effects. Everything was going fine, until we got a 5D Mark iii added to the mix of DSLRs. When I would go to import photos, I would get this error message: "after effects error: photoshop file format error (-30504). ( 45 :: 35 )." I had no idea what that meant since I'd only learned AE recently for this job. I assumed that the solution to this was the solution to most computer related things: it needed an update.
First I looked for the most recent AE update, which was oddly inconvenient to find the link to. I chased links from their website, to their Facebook page, and back to their website. Anyway, here it is:
CS6 11.0.3 Update 10/03/13
http://www.adobe.com/support/downloads/thankyou.jsp?ftpID=5661&fileID=5679
(I personally enjoy that "thankyou" is in the URL.)
Perhaps I should have mentioned this, but updating that didn't do anything. Actually it might have. I feel like I might have gotten a different error message. I'm can't remember since I found the actual solution so quickly after, but updating things for the hell of it is good, right? I think so.
The update that fixes this problem for realizes:
Camera Raw 7.1 Update
http://www.adobe.com/support/downloads/thankyou.jsp?ftpID=5390&fileID=5029
This was also oddly difficult to locate. First I was tipped off by a forum post saying something about updating my ACR. Eventually I figured out that stood for the Adobe Camera Raw plug-in. That led me to a super cool list of cameras that the plug-in supports, but no link. I shluffed through a little more internet and found the above link. Now everything is happy, which keeps my boss happy, which keeps me happy. Happiness for everyone!
Showing posts with label Canon. Show all posts
Showing posts with label Canon. Show all posts
Sunday, October 6, 2013
Friday, June 22, 2012
Transcoding Canon C300 with Telestream Episode Pro 6: Glitch
Canon C300 footage transcoded with Telestream's Episode Pro 6 causes a 3 frame drop at the end of each clip.
Eventually I will post on this entire process, but for now, this entry will focus on a glitch I seem to have discovered when transcoding Canon C300 MXF files to XDCAM MXF files so than can be transported to post via XDCAM Disk.
The C300 splits the clips into 2.05GB segments, or 5:16 long. Rather than stitching them back together for or during transcoding, post is having me transcode them all as if there are individual clips, and they stitch them in AVID. In Episode Pro, I'm using the "XDCAM HD422 MXF 1080p25 50Mbit" encoder, found under "Editing Avid (MXF) XDCAM HD" section of the encoders menu. Our only goal is to take the Canon wrapper off, and re-wrap it in XDCAM, so I modify it by unchecking anything else it could possibly change besides the wrapper: "Frame Rate", "Deinterlace", "Resize", and "Sample Rate."
This is a show with a high volume of footage, so I don't have time to manually check every clip before sending it to post. Post eventually reported back to me that all of my transcodes were missing three frames at the end of each clip. This is a decently big problem when it comes to shots longer than 5:16. My biggest complaint about this job was the lack of a prep week. There was actually a lack of any sort of prep, and I feel this is something I would have discovered had I had prep time.
As much as I hate to admit it, my first thought was "Oh god I did something wrong and have probably been ruining most of this footage!!!" So I frantically checked all of my setting and work and couldn't find anything, and contacted Telestream. I have to say, Telestream has pretty great customer support! Unfortunately it was a weekend when this came up and no one was able to respond, but come Monday, I got an email with FTP server information asking me to send in a sample along with all of my settings. I've also spoken with them over the phone and have to give mad props to Todd, I've pretty much only been working with him and he is awesome, patient, and will answer any stupid or not stupid question I have for him, as well as join in with me on aggravation with computers, bosses, and tricky workflows. And he used to work for Apple! BONUS! Anyway, Telestream was able to replicate the problem (THANK GOD I WASN'T CRAZY) and has sent it to the engineers.
Currently their guess is it has something to do with the C300s metadata since the camera is still fairly new and Episode Pro does not exhibit this problem with any other MXF workflows. Hooray for discovering new problems! But double hooray for companies so willing to jump on it and fix it! A massive breath of fresh air compared to the 3D AVID debacle.
Eventually I will post on this entire process, but for now, this entry will focus on a glitch I seem to have discovered when transcoding Canon C300 MXF files to XDCAM MXF files so than can be transported to post via XDCAM Disk.
The C300 splits the clips into 2.05GB segments, or 5:16 long. Rather than stitching them back together for or during transcoding, post is having me transcode them all as if there are individual clips, and they stitch them in AVID. In Episode Pro, I'm using the "XDCAM HD422 MXF 1080p25 50Mbit" encoder, found under "Editing Avid (MXF) XDCAM HD" section of the encoders menu. Our only goal is to take the Canon wrapper off, and re-wrap it in XDCAM, so I modify it by unchecking anything else it could possibly change besides the wrapper: "Frame Rate", "Deinterlace", "Resize", and "Sample Rate."
This is a show with a high volume of footage, so I don't have time to manually check every clip before sending it to post. Post eventually reported back to me that all of my transcodes were missing three frames at the end of each clip. This is a decently big problem when it comes to shots longer than 5:16. My biggest complaint about this job was the lack of a prep week. There was actually a lack of any sort of prep, and I feel this is something I would have discovered had I had prep time.
As much as I hate to admit it, my first thought was "Oh god I did something wrong and have probably been ruining most of this footage!!!" So I frantically checked all of my setting and work and couldn't find anything, and contacted Telestream. I have to say, Telestream has pretty great customer support! Unfortunately it was a weekend when this came up and no one was able to respond, but come Monday, I got an email with FTP server information asking me to send in a sample along with all of my settings. I've also spoken with them over the phone and have to give mad props to Todd, I've pretty much only been working with him and he is awesome, patient, and will answer any stupid or not stupid question I have for him, as well as join in with me on aggravation with computers, bosses, and tricky workflows. And he used to work for Apple! BONUS! Anyway, Telestream was able to replicate the problem (THANK GOD I WASN'T CRAZY) and has sent it to the engineers.
Currently their guess is it has something to do with the C300s metadata since the camera is still fairly new and Episode Pro does not exhibit this problem with any other MXF workflows. Hooray for discovering new problems! But double hooray for companies so willing to jump on it and fix it! A massive breath of fresh air compared to the 3D AVID debacle.
Labels:
C300,
Canon,
DIT,
Episode 6,
Episode Pro,
MXF,
Post Production,
Telestream,
Transcoding,
Workflow,
XDCAM
Subscribe to:
Posts (Atom)
